Aquel Viento Irreparable

-
“{...} Acabó de decirlo, cuando Fernanda sintió que un delicado viento de luz le arrancó las sábanas de las manos y las desplegó en toda su amplitud. Amaranta sintió un temblor misterioso en los encajes de sus pollerinas y trató de agarrarse de la sábana para no caer, en el instante en que Remedios, la bella, empezaba a elevarse. Úrsula, ya casi ciega, fue la única que tuvo la serenidad para identificar la naturaleza de aquel viento irreparable, y dejó  las sábanas a merced de la luz, viendo a Remedios, la bella, que le decía adiós con la mano, entre el deslumbrante aleteo de las sábanas que subían con ella, que abandonaban con ella el aire de los escarabajos y las dalias, y que pasaban con ella a través del aire donde terminaban las cuatro de la tarde, y se perdieron con ella para siempre en los altos aires donde no podían alcanzarla ni los más altos pájaros de la memoria”.



******* 
"Cien años de soledad". Gabriel García Márquez (Aracata, 6 de Marzo de 1927 ~ México, D.F., 17 de Abril de 2014).
◙ William-Adolphe Bouguereau. "A Soul Brought to Heaven" (1878).
 

 *******

“She had just finished saying it when Fernanda felt a delicate wind of light pull the sheets out of her hands and open them up wide. Amaranta felt a mysterious trembling in the lace on her petticoats and she tried to grasp the sheet so that she would not fall down at the instant in which Remedios the Beauty began to rise. Ursula, almost blind at the time, was the only person who was sufficiently calm to identify the nature of that determined wind and she left the sheets to the mercy of the light as she watched Remedios the Beauty waving good-bye in the midst of the flapping sheets that rose up with her, abandoning with her the environment of beetles and dahlias and passing through the air with her as four o'clock in the afternoon came to an end, and they were lost forever with her in the upper atmosphere where not even the highest-flying birds of memory could reach her.”


*******
Gabriel García Márquez. One Hundred Years of Solitude (1967). 

Popular posts from this blog

A Chagall and a Tree Leaf

-
Image
I spent all my savings on a Chagall lithograph and placed it beside an oak leaf I had picked up on the road something we can put a price on and something we can’t something that human heart and hand have produced and something that Nature has. The Chagall is beautiful. The oak leaf is also beautiful. I get up and make tea, with soft afternoon sunlight falling on the table. Looking at the Chagall, those days spent with her come back to me. When I look at the oak leaf I think of the creator’s delicacy. A leaf and the Chagall both are irreplaceably precious. The sound of Ravel on the piano heightens. Today becomes one with the eternity. Heart and body melt into the blue sky beyond the window. ... Where do these tears come from? ******* ✎ Shuntaro  Tanikawa (Tokyo, Japan, 15 December 1931) ◙  Artwork: Marc Chagall
Read more

Nobody's Darling

-
Image
Be nobody’s darling; Be an outcast. Take the contradictions Of your life And wrap around You like a shawl, To parry stones To keep you warm. Watch the people succumb To madness With ample cheer; Let them look askance at you And you askance reply. Be an outcast; Be pleased to walk alone (Uncool) Or line the crowded River beds With other impetuous Fools. Make a merry gathering On the bank Where thousands perished For brave hurt words They said. But be nobody’s darling; Be an outcast. Qualified to live Among your dead. ******* ✎ Alice Walker (b. Eatonton, Georgia, U.S., 9 February 1944).
Read more